![]() That's the role of the bad guy in the dystopian stories, right? Given a choice, I'd rather be the storyteller who says every kid can have a chance to star. ![]() ![]() You don't get to exist in story you're too different.” You don't want to be part of our present dystopia that tells kids that if they just stopped being who they are they could have a story written about them, too. Yes, all the “issue” books are great and have a place in literature, but it's a different and wildly joyous gift to find yourself on the pages of an entertainment, experiencing the thrills and chills of a world more adventurous than our own.Īnd when you see that as a writer, you quickly realize that you don't want to be the jerk who says to a young reader, “Sorry, kid. Not as issues to be addressed or as icons for social commentary, but simply as people who get to do cool things in amazing worlds. To see their identities and perspectives-their avatars-on the page. His fiction has appeared in The Magazine of Fantasy & Science Fiction, Asimov's. Printz awards, and has been nominated for the National Book Award. Campbell, Compton Crook, Theodore Sturgeon, and Michael L. ![]() High tech, genetic engineering, covert agribusiness all make this novel an intriguing read. Paolo Tadini Bacigalupi (born August 6, 1972) is an American science fiction and fantasy writer. “The more I write stories for young people, and the more young readers I meet, the more I'm struck by how much kids long to see themselves in stories. The story is set in Bangkok which tries to survive at the threat of rising sea after the end of oil. ![]()
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